―I think you have more opportunities to work by proclaiming “expanding in Osaka” in March this year. What kind of image do you have about Osaka?

Saya: Now I'm going back and forth between Tokyo and Osaka, and my work in Osaka is increasing little by little. Originally, I heard that "Osaka people don't laugh easily," so I made a big declaration, but I was afraid of accepting them. However, what I felt when I played alone in Osaka was that these people were properly looking at the stories and evaluating them. When we want you to laugh, they laugh properly. It's not a light feeling like "Hahaha", but it's so far ahead. I once again felt the love of Osaka people for comedy, and I thought that the harshness of laughter came from that point.

Nishida: I don't have any chances in Corona, but I'd like to go to filming a lot in the future. It's interesting because there is no such thing as a script in Osaka.

Saya: I don't have much to make it, and I feel like I'm filming taking advantage of the taste of each entertainer and talent. We also want to do such a filming. I would like to take on various challenges and establish something like our uniqueness.